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| A Pigeon and a Boy: A Novel | 
 enlarge | Author: Meir Shalev
Creator: Evan Fallenberg
Publisher: Schocken
Category: Book
List Price: $25.00
Buy New: $14.06
You Save: $10.94 (44%)
Buy New/Used/Collectible from $12.51
Avg. Customer Rating:  (7 reviews)
Sales Rank: 7192
Media: Hardcover
Number Of Items: 1
Pages: 320
Shipping Weight (lbs): 1.3
Dimensions (in): 9.3 x 5.9 x 1.4
ISBN: 0805242511
Dewey Decimal Number: 892.436
EAN: 9780805242515
ASIN: 0805242511
Publication Date: October 16, 2007
Release Date: October 16, 2007
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Product Description
From the internationally acclaimed Israeli writer Meir Shalev comes a mesmerizing novel of two love stories, separated by half a century but connected by one enchanting act of devotion.
During the 1948 War of Independence--a time when pigeons are still used to deliver battlefield messages--a gifted young pigeon handler is mortally wounded. In the moments before his death, he dispatches one last pigeon. The bird is carrying his extraordinary gift to the girl he has loved since adolescence. Intertwined with this story is the contemporary tale of Yair Mendelsohn, who has his own legacy from the 1948 war. Yair is a tour guidespecializing in bird-watching trips who, in middle age, falls in love again with a childhood girlfriend. His growing passion for her, along with a gift from his mother on her deathbed, becomes the key to a life he thought no longer possible.
Unforgettable in both its particulars and its sweep, A Pigeon and A Boy is a tale of lovers then and now--of how deeply we love, of what home is, and why we, like pigeons trained to fly in one direction only, must eventually return to it. In a voice that is at once playful, wise, and altogether beguiling, Meir Shalev tells a story as universal as war and as intimate as a winged declaration of love.
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| Customer Reviews: Read 2 more reviews...
Pure Poetry May 13, 2008
1 out of 1 found this review helpful
A friend from Israel notified me that this book had just been translated from the Hebrew, a friend I trust with literary choices. I will forever be in her debt. This is a moving story, actually two stories. The boy with the pigeon, known as Baby is introduced to the training and "dispatching" of homing pigeons by the Palmach during Israels' fight for independence. The love the boy has for the pigeons is eventually secondary to the love for a girl, another handler of homing pigeons. The story is narrated by Yair, a tour guide whose own story of love and growth is yet one more wonderful thing to read. Every character in this book is drawn with love and attention to the smallest virtue and flaw. Shalev's prose is what I always hoped to find in poetry. His use of personification of houses makes them come alive as Yair builds a house of his own from which he becomes a mensch.
Yair's mother sums up what is important when she says,"What does a person need?...not much: something sweet to eat, and a story to tell, and time and space, and gladioluses in a vase, and two friends, and two hillttops, one on which to stand and the other upon which to gaze. And two eyes for watching the heavens and waiting." This is "a story to tell" and beautifully done it is.
A must! April 11, 2008
1 out of 1 found this review helpful
This is one of the best books I have recently read . It is poetry in prose. The wealth of the language and the elegance of style are well reflected in this superb translation. The hardship of the period and the continuation of the life cycle are presented almost like in a thriller. Meir Shalev shows how thorough he is in his research by sharing with us all the details relating to the period and to the tools used for communicating. It is a pure and idealistic love story that reflects the pure and idealistic love of the pioneers for the land of Israel.
It is literature at its best!
beautiful book March 25, 2008
A beautiful book- a love story and a book about living an engaged life. I highly recommend this book to anyone who wants to be transported into another world. The imagery is gorgeous, the writing is poetic and the world of pigeonry is transportive.
What Chagall is to Paint January 25, 2008
9 out of 9 found this review helpful
WHAT CHAGALL IS TO PAINT, SHALEV IS TO WORDS
The feeling I had when reading a Pigeon and a Boy by Meir Shalev that I had entered the world of a Chagall painting. In fact, what Chagall is to paint, Shalev is to words.
First they both create intense, detail-packed scenes.
Marc Chagall wastes no space as every square inch of his canvas is filled with vibrant and powerful colors and detail. A Marc Chagall painting is a feast for the eyes. These details makes the extraordinary events more plausible. Shalev's rich sensory details allow the reader not only to see, but to touch, taste and hear and fully enter the scene. The story of one of the main characters, The Baby, starts:
That day began as many other's in the baby's life, with his eyes opening as always before those of the other children. With his skin feeling the coolness and warmth of the air....With his ears listening to the male pigeons squabbling on the roof, their nails scraping the drainpipes, the hands of the woman in charge of the kibbutz children's house toiling in the small kitchen. With his nose smelling that the porridge is already cooking there, the margarine softening, the jam reddening in little dishes."
For Shalev memory is a close up lens of details: the young woman who's knees never stopped jiggling, the taste of pickles, his mother's wide brimmed yellow hat, the doctor dipping cookie after cookie into lemon and tea, his brother skipping from rock to rock while he plodded along, the smell of hot dust, the blue handkerchief that is used for tears of joy and loss. Shalev writes:
There are some people whose sensory organs capture reality for them. But with me, my sensory organs mediate between reality and memory, and not every organ in its realm. Sometimes my nose connects sound to image, sometimes my ear feels, my eye recalls aromas, my fingers see.
Chagall, like Shalev, loves the Bible and it forms the undercurrent or backdrop of their work. The subject matter of many of Chagall's most well known works such as Rachel Hides Her Father's Household Gods and Solitude are the familiar tales from the Old Testament.
Even Chagall's work which is not about a biblical theme has icons of Judaism: A chuppah (marriage canopy), a talis (prayer shall), a torah.
In A Pigeon and a Boy, the narrator, a tour guide, takes us through Israel, before it became a state and after, and that tour includes over three thousand years of historical reference. In one site, Moses is on Mount Nebo in another the The Boy dispatches a dove like Noah in the ark, in yet another, points out where Samuel and Samson once had stood. More than the direct mention of biblical places and persons is the echoing of the language of the Bible. When a building contractor points and pronounces: "Let there be a wall" and "Let there be a window" and ..."Let there be a deck," we hear the Genesis creation story. The Boy, like the first man, Adam, "...did not walk ahead of not behind the girl. He walked abreast of her." Even in the handling of pigeons we hear the Jewish liturgy of Yom Kippur. Instead of "who shall live and who shall die," Shalev tells of Miriam, the pigeon trainer, who painstakingly records in her book (not the book of life),"...which pigeons and landed first and which last, which had managed to pass easily through the bars or the trap door and which had not."
Both artists, painter and writer incorporate the realistic side by side with the fantastic. Animals and humans have special powers of levitation, flight, telepathy, and telekinesis. Chagall's lovers take flight in a brilliantly blue sky, above the Eiffel Tower and the rooftops of Paris Houses. The everyday becomes magical.
In A Pigeon and a Boy, there is the scene when a wealthy businessman enters a street in pre-1948 Tel Aviv driving a large American Ford Thunderbird. "Suddenly a hush fell on the street. Boys lifted their heads from games of marbles. Girls skipping rope froze in mid-twirl. Men fell silent, licking their lips. Women became Lot's wife, pillars of salt." In this world where reality is shaped by special powers, birds can deliver love and comfort and even death can be challenged and to some measure beaten.
In a dreamlike atmosphere Chagall and Shalev share many of the same images. For Chagall, it was nostalgia for the village he left behind in Russia. This village appears and reappears in numerous pieces. For Shalev, it is one woman's nostalgia for her home in Tel Aviv, a man's overwhelming desire to have as house of his own, and a people's unwavering longing for their homeland. Other common images are birds, which abound in Chagall's work and which are central of the story of Shalev's tale.
In addition to shared techniques and symbols, Chagall and Shalev both believe in the power of love to transcend and heal. Chagall's lovers are elevated above the world. They float, they fly, they spring upside down and do head stands. Nothing holds down love, not even gravity.
A Pigeon and A Boy is the story of love conquering even death and of love healing a broken soul. In the midst of a battle, the pigeon flies to carry its message of life, and the war falls silent.
"The pigeon ascended rapidly. Above the flames, above the smoke, above the gunshots, above the shouts, to the sky blue, the silence. Homeward. To Her." And a man whose confidence and soul had been crushed, is restored by his love of a woman and a house and their love of him. "I built and was built, I loved and was loved, my soul grew a new skin, a roof, a floor, a wall."
The magic and sensory details, the dreams and hope in A Pigeon and A Boy, like the work of Chagall, leave us richer for the experience.
A slow, soaring read December 1, 2007
13 out of 13 found this review helpful
This is the kind of book you want to read slowly, to savour every word, and long for it not to finish. Meir Shalev's beautifully crafted book, with its flowing, evocative language, masterfully translated by Evan Fallenberg, consists of two ingeniously interwoven tales of people a generation apart, linked by places and events. One is a first person narrative of an adult tour-guide yearning for affection and a place he can consider 'home', and the other a touching story of the love between two teenagers, whose main channel of communication is through the homing-pigeons they send back and forth for the Hagana, the underground movement struggling against British rule in pre-State Israel. Through the intertwined tales, artfully tied up in the final denouement, the reader subtly gains insight into the handling of homing-pigeons and the tense days leading up to the War of Independence. The slight suspension of credibility called for here and there in the book only serve to enrich the sensitive flow of a wonderful story. Not to be missed!
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